How can there be so much volume, so much density, so much limit in this open structure?
Why do I feel so protected if in reality anyone can enter these open spaces? […]
these are questions asked by those who interact with the sculpture, as they entangle their
bodies with the structures, and pass from the sensation and action to the thought.
"Piedad Casas, Curadora y Miembro AICA Internacional, 1999,
Catálogo Resonancias, Centro Nacional de las Artes, México