RESONANCES

National Center of Arts, Mexico, DF, 1999

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Victor Fuenmayor initiating, Resonance Plaza de la Danza CENART, México
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Augustinian Forces VI Centro Nacional de las Artes, México
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Augustinian Forces VI CENART, México
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Sculptural Action in Sacred Chamber, CENART, México
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Sensory exercises with students from the Dance School
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Resonance in Augustinian Forces VI, CENART, Mexico
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Sculptural Action on the Grids, CENART, México
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Grids: Augustinian Forces VI oxidized corten steel, CENART, Mexico
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Sculptural Action on the Grids, CENART, México
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Feminine Forces, CENART, México
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Resonance in Feminine Forces VI, CENART, Mexico
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Resonance in Feminine Forces VI, CENART, Mexico
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Resonance in Feminine Forces VI, CENART, Mexico
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Resonance in Feminine Forces VI, CENART, Mexico

How can there be so much volume, so much density, so much limit in this open structure?
Why do I feel so protected if in reality anyone can enter these open spaces? […]
these are questions asked by those who interact with the sculpture, as they entangle their
bodies with the structures, and pass from the sensation and action to the thought.
"Piedad Casas, Curadora y Miembro AICA Internacional, 1999,
Catálogo Resonancias, Centro Nacional de las Artes, México